There are a few different settings for this one. One of the O’Neill’s settings stays in Ador for the 2nd part, but I find it too easy to lapse into something like "The Flowers Of Red Hill" halfway thru’ if I play this version. The version posted here is like the one Altan play, and although it is unusual to hear this tune played at sessions, I reckon it’s most likely that you’ll hear their version if people have learnt it off the CD (The Red Crow). The harmony of the whole tune is based on the fact that if you end each part on a chord of D, it is possible to be propelled either back into Ador, or on into Gmaj (or Emin) for the 2nd part. I prefer to back Emin for the 2nd part, but I think Altan do it in G. I’ve chosen to post this version because if you play the Ador 2nd part in a session then it’s likely that people will think you’re playing "The Fair-haired Lass" with the parts switched around, since that is the better-known reel.
Whoops, that B first bar 2nd line is meant to be B, not b.