Leslie’s hornpipe

Also known as Astley’s Ride, Leslie’s.

There are 18 recordings of a tune by this name.

A tune by this name has been recorded together with Haste To The Wedding (lots of times), The German Beau (a few times).

Leslie's has been added to 35 tunebooks.

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One setting

X: 1
T: Leslie's
R: hornpipe
M: 4/4
L: 1/8
K: Dmaj
|:A|d2d2 d2cd|e2e2 e2fe|dcBA B2c2|defg agfe|
d2d2 d2cd|e2e2 e2fe|dcBA B2c2|d4 d3:|
|:e|f2f2 f2ef|g2g2 g2fg|e2e2 e2de|f2f2 fgaf|
d2d2 d2cd|e2e2 e2fe|dcBA B2c2|d4 d3:|
ABC

Four comments

Leslie’s Hornpipe

This is one of set of three tunes which form the ceili dance known unsurprisingly as "The Three Tunes" … the others in the set are "The German Beau" and "Haste To The Wedding".

Leslie’s (hornpipe)

This is the tune known originally (and still in Britain) as Astley’s Ride. "Leslie" looks like a corruption of Astley. It’s obviously not a hornpipe of any kind), but an excellent example of the multitude of ubiquitous common-time tunes (chief characteristic: that formidable 123 - or "om pom pom" - at the start of the 1st bar) now often referred to, for the sake of typonomy, as a (Scotch) measure, which seem both to have spawned the hornpipe proper and paved the way for the acceptance of the polka by traditional musicians in the Bristish Isles. Said Astley did have a (formerly very popular) hornpipe named after him, which is now generally know as "Ashley’s" Hornpipe - under which name it is reproduced elsewhere on this site. The splendid McCusker brothers here cited recorded both, as well as a lot of other tunes of English origin associated with the old northern (Irish) dancing tradition.

very interesting, phil

Aidan’s Three Tunes are (the ‘measure’, the ‘polka’(?) and the jig):
Leslie’s Hornpipe (here)
The German Beau http://www.thesession.org/tunes/1545
Haste to the Wedding http://www.thesession.org/tunes/582

nb: there seems to be some disagreement as to which order the dancers danced them in, according to the thread at http://www.thesession.org/tunes/1545/comments (could it be that they followed a different pattern in different parts?)

Striking resemblance to a Broderick tune

The A part bears a striking resemblance to the B part of Vincent Broderick’s barndance, Around the Fairy Fort. The B part starts off like the A part of Around the Fairy Fort, but an octave up, but changes in the second measure.