|:(3fed A2 (3fed (3ABc|(3dcd b>f a4|(3gfe B2 (3gfe B2|c>d (3edc A4|

(3fed A2 (3fed A>c|(3dcd b>f a3 f|g2 f>e B2 c2|1 e>dB>c d3 e:|

2 e>dB>c d2 (3ABc||

|:d>fe>d B>AF>A|(3dcd e>d B4|(3dcd e>d B>AF>A|(3BAB (3cBc d2 (3ABc|

d2 e>d B>AF>A|d2 (3edc B3 c|(3dcd e>d B>A (3FGA|B2 (3cBc d4||

Michael Gaffney on banjo / John McKenna on flute - the second in a set of two barndances, following ‘The Ballroom Favourite’:

http://www.thesession.org/tunes/3329

- but running out of time and steam this one was cut off at the end…

## Four comments

### There is also what seems to be a 24 bar version on a 78 rpm recording:

### ~ a 24 bar version on a 78 rpm recording:

X: 2

T: Michael Gaffney’s

M: 4/4

L: 1/8

R: barndance

K: Dmaj

|: ze |\

(3fed A2 (3fed (3ABc | (3dcd b>f a4 | (3gfe B2 (3gfe B2 | c>d (3edc A4 |

(3fed A2 (3fed A>c | (3dcd b>f a3 f | g2 f>e B2 c2|1 e>dB>c d2 :|

|: (3ABc |\

d>fe>d B>AF>A | (3dcd e>d B4 | (3dcd e>d B>AF>A | (3BAB (3cBc d2 (3ABc |

d2 e>d B>A (3FGA | d2 (3edc B3 c | (3dcd e>d B>A (3FGA | .B2 .c2 .d2 |]

### Slight Corrections…

to ceolachan’s 24 bar version:

X: 2

T: Michael Gaffney’s

M: 4/4

L: 1/8

R: barndance

K: Dmaj

|: ze |\

(3fed A2 (3fed (3ABc | (3dcd b>f a4 | (3gfe B2 (3gfe B2 | c>d (3edc A4 |

(3fed A2 (3fed A>c | (3dcd b>f a3 f | g2 f>e B2 c2| e>dB>c d2 :|

| (3ABc |\

d>fe>d B>AF>A | (3dcd e>d B4 | (3dcd e>d B>AF>A | (3BAB (3cBc d2 (3ABc |

d2 e>d B>A (3FGA | d2 (3edc B3 c | (3dcd e>d B>A (3FGA | .B2 .c2 .d2 |]

### Michael Gaffney’s

After McKenna/Gaffney’s record. I’m presenting this as 32 bars, on the 78 they only got through it twice and I think they were hurried on by the recording engineer, thus they cut out 8 bars. Just a theory but who knows. Dunno if there are other instances of barndances/schottisches with irregular lengths like that.