A Carolan composition, correct? Seems like I’ve run into this in G also, and maybe other keys as well.
So can someone enlighten me as to the life and times of Loftus and why Turlough C. felt compelled to honor him with a tune?
Thirteen comments
Loftus Jones
RE: Loftus Jones
Yes, this is one of Carolan’s many wonderful compositions. (If anyone ever asks me who my favorite composer is, I always answer "Turlough O’Carolan".) The definitive resource about Carolan is "Carolan: The Life Times and Music of an Irish Harper" by Donal O’Sullivan (2nd edition, 2001, Ossian Publications Ltd.). O’Sullivan doesn’t have much information about Loftus Jones under the notes to the tunes, just who his parents were (Thomas and Susanna Jones or Ardnaglass, County Sligo), when and to whom he was married, and that this tune was likely composed near the end of Carolan’s life.
This tune is in A in the O’Sullivan book, but it could easily be played in other keys. I’m not sure what keys I’ve heard it in — I don’t have a good enough ear to tell the key just by hearing.
Patrick Street did a nice version of "Loftus Jones" on their album titled "Patrick Street." I really enjoy the different sound the accordian brings to the tune — very different from straight harp versions I’ve heard. One of the great things about Carolan’s melodies is that most hold up under a wide variety of interpretations, with different tempos and instruments.
Sarah
Another recording of Loftus Jones
I believe there is a nice version of this tune on The Irish Tradition’s album called "The Corner House".
Rich
Recorded by Patrick Street
Recorded by Patrick Street on " Compendium " -the best of Patrick Street.
Recorded by Abby Newton
This tune can also be found on the Abby Newton CD, "Crossing to Scotland". I’m planning to play this tune for my brother’s wedding.
Recorded by Mick Moloney
He does a fine version on mandolin on his “Strings Attached” album.
Loftus Jones in G
The version The Irish Tradition recorded on their album "The Corner House" is in G.
http://www.thesession.org/recordings/display/993
In G Major
X: 1
T: Loftus Jones
M: 4/4
L: 1/8
R: reel
K: Gmaj
|:g4 f2 e2|d2 c2 Bc d2|cBAB G2 z2 |BcBA G2 A2|
Bc d2 cd e2|d2 cB cBAG|FGFE D2 z2|GAGF E2 c2|
|:dcdB cBcA|G2 D2 E2 F2|G2 E2 F2 G2|A2 F2 G2 A2|B2 G2 A2 B2|
c4 d2 z2|cBAG FG A2|G2 dc B2 d2|g4 g2 z2 :|
|:d2 F2 G2 E2|F2 D2 E2 F2|G2 A2 F2 B2|E4 F4|
BBBz AAAz |GABc B2 A2|GABc dcBA|G2 F2 E4|
BEGE BEGE|DFDF DFDF|EGEG EGEG|FAFA FAFA|
GBGB GBGB|GBGB GBGB|ef g2 f2 gf|e4 e2 f2|
gGgG fGfG|eGeG dGdG|cGcG BGBG|AGFE DE F2|
G2 dc B2 d2|AGFE D2 d2|cBAG FGAF|G4 G2 z2 :|
Fits just right in G on the concertina and the flute. On the fiddle it’s nicer in A.
Loftus Jones, Kevin Burke and Patrick Street, YouTube
Here is a live version of the tune played by the fantastic Kevin Burke with an hilarious intro…
http://www.youtube.com/watch?v=z0jK6313U7I&list=WL71CB4ABC774CA1FF&index=16&feature=plpp_video
Enjoy
I like the Baroque rising tension in the 7th line…
Loftus Jones - a puzzling question
I’ve seen the dots for, and heard played, a version with an extra bar at the end of the second part, basically so that both parts end the same. In fact, it seems to fit better for me with that extra bar. But I’ve also heard more or less the version transcribed here, with one bar fewer than the other one.
Anyone any thoughts? It might make it a trial to play in a session, I should think, depending on what people are used to …
