Key signature: Dmajor
Submitted on July 18th 2008 by ceolachan.
This tune has been added to 9 tunebooks.
Also known as Aggie's Waltz.
Recordings of a tune by this name:
X: 1
T: Aggie's
M: 3/4
L: 1/8
R: mazurka
K: Dmaj
|: A (3ABc |\
d2 d>c d>e | (3fgf d>A F>G | (3ABA A>F A>B | B>A G>F E>B |
e2 e>^d e>f | g>f e>d d>c | (3cdc B2 G2 | B2 A>G F>A |
d2 d>c d>e | f2 d>A F>G | A2 A>F A>B | B>A G>F E>^D |
e2 e>^d e>f | g>f e>d d>c | (3ABA B2 c2 | d2 d :|
|: e f>g |\
(3fgf d2 fg | (3fgf d2 f>g | a2 a>f g>f | (3efe e>^d e>f |
(3efe c2 e>f | (3efe A2 e>f | g2 g>e f>e | d3 :|
"Aggie's" ~ previously adrift on someone else's MP3, the record now in hand
"Seamus Egan: Traditional Music of Ireland" (& elsewhere)
Track 11. "Aggie's Waltz"
Notes: "There is a definite traditional influence in this waltz from French Newfoundland. We learned it from the playing of Ron Fromanger, a fiddle player from Newfoundland."
Here's where I was lead astray. You just can't find a decent concertina player nowadays you can trust...
"Vals Från Transtrand" ~ track 6
Key signature: D Major
Submitted on July 10th 2008 by ceolachan.
http://www.thesession.org/tunes/display/8699
# Posted on July 18th 2008 by ceolachan
"Aggie's" ~ minus > & (3 ~ plus a few other possibilities
X: 2
T: Aggie's
M: 3/4
L: 1/8
R: mazurka
K: Dmaj
|: FA |\
d2 dc de | f2 dA FG | A2 AF AB | BA GF E2 |
e2 e^d ef | gf ed dc | c2 B2 G2 | B2 AG FA |
d2 dc de | f2 dA FG | A2 AF AB | BA GF E2 |
e2 e^d ef | gf ed dc | A2 B2 c2 | d4 :|
|: fg |\
f2 d2 fg | f2 d2 fg | a2 af gf | e4 ef |
e2 c2 ef | e2 A2 ef | g3 e fe | d4 :|
# Posted on July 18th 2008 by ceolachan
"Patrick Kelly's Waltz" ~ the two are sometimes compared
Key signature: D Major
Submitted on November 17th 2003 by helga44.
http://www.thesession.org/tunes/display/2160
Yes, there are correlations to be made ~ but ~
# Posted on July 18th 2008 by ceolachan
In the 13th complete measure...
should the first e be an octave lower, or do people actually play a minor 9th leap there?
# Posted on July 18th 2008 by muspc
~ | B>A G>F E2 | e2 e>^d e>f | ~ it can also be an 8th
I assume that's what you mean, from ^D to e ~ the answer is ~ yes!!!
# Posted on July 18th 2008 by ceolachan
~ or ~ you could ~ ~ | B>A G>F E>^d | e2 e>^d e>f | ~
# Posted on July 18th 2008 by ceolachan
~ or ~ | B>A G>F E>^D | E2 e>^d e>f | ~ delaying the inevitable...
~ to make it even easier on you... Now to go away and take it another few ways...
# Posted on July 18th 2008 by ceolachan
~ | B>A G>F E>^D | | (3efe e>^d e>f | ~ & sometimes
Yeah, that triplet will make it easier for you. No one can say I don't care about old age and aching limbs...
# Posted on July 18th 2008 by ceolachan
I suppose...
that my question was a bit confusing (I did mean from the d sharp at the end of the 12th m. up a minor 9th to the e at the beginning of the 13th | B>A G>F E>^D |
(Also, I think you might have made an error--Gods forbid!--in the header of your first reply). I find the minor 9th leap a bit jarring (which is not necesssarily a bad thing!) and was wondering about the intent.
e2 e>^d e>f |), but getting a "yes" answer to an "or" question isn't necessarily easy digest!
Many thanks for taking into account my decrepit 42 year old limbs! (And here I was thinking the Yoga was helping...)
# Posted on July 19th 2008 by muspc
"~ do people actually play a minor 9th leap there?" ~ muspc
~ the 'yes!' is to the 2nd half of your 'or'... (that's you in the glasses)
It's all the lost sleep lately... I'm la-la in the extreme...
Now for a good stiff shot of something inebriating to see if it will keep me down for more than 8 hours...
# Posted on July 19th 2008 by ceolachan
Qualification ~
'people' ~ several do...
# Posted on July 19th 2008 by ceolachan