Listening to Natalie MacMaster I’ve noticed (and want to learn) her lightening-fast graces, cuts, and rolls. I have the bowed triplets down, but I can’t seem to get the … how do you say? … the liquid-like, lightning-fast ornaments down. And when she goes from the A string to the open E string, she accents the note so that it "pops". Do you have any tips on doing these?