Theory in Irish Music
Hello! I have been studying music theory quite intensely this summer, and I’ve learned a lot about chords and modes and progressions. It leaves me with some questions why don’t Irish tune writers use Phrygian? Has anyone tried anything different than just using minor and major triads like 7 chords, or suspended chords or diminished triads? If so could you point me in that direction lol? Sorry if this isn’t specific enough I know what I want to say, but I’m having a hard time expressing it.