Whistle (or flute) do you sometimes break up constant slurring for variety? (if so where/when?)
I have been having a go at https://www.youtube.com/watch?v=bxGe2Y0CWMw
Jennies welcome to charlie and on the first part when the octaves jump I have been thinking it can sound better to do a mix between non slurred rather than slurred.
Of course it comes down to preference but wondering what people like to do where because with whistle and I suppose applies to flute too you can end up just slurring nearly everything and what I have been playing with lately is deliberately breaking it up a little on those usually long slur runs to give variety.