Twisty’s seventy-five comments
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Re: LET’S DO THIS!! Our language is WORTH IT!"
Dr. Dow more…
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Re: Donogh Hennessy/ Alan Kelly Quartet
I have been a long time admirer of Donogh Hennessy’s playing, and also had my time of mourning when he moved on from Lunasa. Who knows how or why that happened and who knows how or why he’s now moved on from Alan Kelly’s quartet. more…
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Re: “Boom-Banga-Boom” - muffling a tapping foot
There was a dear fellow, a lovely concertina player with this self same quirk. Wasn’t a problem until it became time to record him. We tried socks but he could stomp pretty darn loud even in socks. more…
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http://www.youtube.com/user/Legertymusic#p/u/10/C9QTE9G7Kbk more…
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http://www.youtube.com/user/Legertymusic#p/a/u/0/U-TM-IQpK4s more…
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Re: Bowing - particularly Sliabh Luachra style
http://www.youtube.com/watch?v=bWjd1IdvgKg&feature=related more…
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Re: Amazing Slowdowner Ripoff
ok, cross post of a sort more…
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Re: Amazing Slowdowner Ripoff
I hear what you are saying bogman, and I agree with you actually. I can’t think a person would enjoy listening to a slowed down version of a tune for very long. more…
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Re: Amazing Slowdowner Ripoff
Well yes, if all you did was work with slowed down and distorted versions of tunes to learn from, you would probably end up sounding funny, and if all you did was look at dots or over relied on them you’d end up sounding funny too. more…
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Re: Fiddle pick-up
It’s complicated Helendy. It depends a lot on how important your ‘sound’, your ‘tone’ is to you. more…