JakeH’s eleven comments

  • Tailgating The Minister, X:7

    (and another variation at the end of bar 4... seems editing is no longer possible, so I've added three settings that are broadly the same... sorry everyone!) more…

  • Tailgating The Minister, X:6

    Yet another tiny variation with a different run of notes in bar 7, and different B-part second time bar, which I think leads better back into the A-part (with a "d" rather than "e"). more…

  • Tailgating The Minister, X:5

    Version 5: Most similar to the version 3 transcription, but tidier. more…

  • Re: Inagh Valley

    Thanks Níall for this transcription of a beautiful tune. It seems to me that the most appropriate time signature for this tune would be 4/2 (with the first bar of what you have written in 2/4 just as a minim up-beat). Unfortunately it seems thesession.or... more…

  • Re: Schottische Kerlou

    Yes, I've seen I've made a mistake, sorry! But it's not possible to edit my comment. Nonetheless I did come here after finding a recording of him playing in A on the Uilleann pipes. more…

  • Strut (Eddlestone Strut)

    If my memory serves me correctly from the CD sleeve notes, this was a joint composition by Amy Thatcher of The Shee and Kieran Szifris of the Monster Ceilidh Band. In any case this is transcribed from the Shee recording on "Murmurations". A very groovy tu... more…

  • Re: Schottische Kerlou

    Or, as it would seem, how he plays it on the pipes rather than the flute! more…

  • Schottishe Kerlou, X:2

    Here is a version in A major, the original key of the tune and how Calum plays it 🙂 more…

  • Re: The Banshee’s Lodge

    Grüezi Christophe, does this session still take place please? All three links in the discussion seem to be broken! more…

  • Jenny Picking Cockles, X:7

    I'm adding a new setting as transcribed from the playing of Michael McGoldrick in this video on Youtube. It seems quite different from the others here and on the duplicate 'Jenny Picking Cockles' page, but all the comments on youtube say that's what he's ... more…