Michael Sexton Ceili Band

By Michael Sexton Céilí Band

  1. The Dublin
    Mick O’Connor’s
  2. Love At Its Ending
    The Mountain Road
  3. Down The Broom
    The Donegal
  4. The Queen Of The Fair
    Pat Curtin’s
  5. Austin Tierney’s
    Kitty Linnane’s
    The Boys Of Ballisadare
  6. Daniel O’Connell’s
    Kitty’s Wedding
  7. Castle Kelly
    Lucy Campbell’s
  8. Mick Nestor’s
    The Bucks Of Oranmore
  9. The Kilmaley
    Rakish Paddy
  10. Maggie In The Wood
  11. The Scholar
    The Heathery Breeze
    The Red Haired Boy
  12. Connemara Stockings
    The Westmeath Hunt
    Rip The Calico
  13. O’Dowd’s
    The Union
  14. Jackie Daly’s
    The Chicago
    The Concertina
    West Along The Road
  15. Paddy O’Brien’s
    The Gay Harp
  16. McDermott’s
    Lady Anne’s
  17. Rogaire Dubh
    Gus Tierney’s
    The Rose In The Heather
    The Battering Ram
  18. The Plains Of Boyle
    Harvest Homes
    Sean Bhan Bocht
  19. The Lisdoonvarna
    The Lakes Of Sligo

Three comments

“The Michael Sexton Ceili Band”

The Band:

Michael Sexton ~ accordion & leader
Caroline Tubridy ~ fiddle
Pat Curtin ~ flute
Brian Morgan ~ flute
Ralph Morgan ~ banjo
George Byrt ~ piano
Martin Garrihy ~ drums
Peter Sheridan ~ drums

Recorded and mixed at ‘Harmony Tow Studio’, Ennis, Co. Clare

Tracks for dance ~

1 - 6: The Caledonian Set

7 - 10: The Connemara Set

11 - 16: The Clare Plain Set

17 - 19: The Newport Set

Another pair of recordings that for some reason someone thought needed a boost. The evidence of this is in the pitch, a half step up from where they’d have been when the band first recorded this. In order to avoid unwanted noise and distortion when someone diddles a tune this way, boosting the tempo, it’s best to let the pitch rise as it would normally, in this case up that half step. What exactly does this mean, well, a tune in D, or any of its relative keys, sounds in Eb instead. With old media, such as the old 78s, this was sometimes done in order to fit more on the disk.

Now, back to the tempo changes, just one track for comparison, here’s the after, as it is on the CD, and the ‘before’, taking it back down to A=440:

Track 1 - reels - “The Caledonian Set”, first figure:

120 bpm ~ on the CD
114 bpm ~ the bands tempo at the microphones, before processing/diddling…

The same thing happened to “Michael Sexton Ceili Band Volume 2: Mad to Dance”:

& something similar here too, though a full step up and consequently a bigger boost to tempos:
“Music for the Sets Volume 1: Round the House”

It wouldn’t be the first time the actions of commercial interests have affected this music, and the dance too.

The tune Kitty Linnanes is also known as “I’m waiting for you”