Eleven comments
“Set Dances Of Ireland: Music For Listening And Dancing”
Produced by Larry Lynch, Published by Séadna
Sound Engineer: Harry Bradley
Illustrator: Kevin O’Shea
Text & annotation of tunes, “The Music”: Marcas Ó Murchú
Notes, “The Musicians” & “The Dances”: Larry Lynch
“Set Dances of Ireland: Tradition & Evolution” by Larry Lynch, the book!
Seádna Books & Dal gCais Publications, 1989
A4 format, 323 pages
ISBN: 0-9623366-0-2 (U.S.A.)
ISBN: 0-9514848-0-X (Ireland)
Seádna Books
88 Walter Street
San Francisco, California 94114
U.S.A.
2nd Printing, 1991
John O’Donnell
c/o The Connacht Tribune
15 Market Street
Galway, Eire / Ireland
Highly recommended, as this is the only publication on the subject that I feel makes a resonable attempt to incorporate in it’s pages and story something of the people the dances were collected from, with pictures and some quotes. This weighty tome has more heart than the many other publications that tend to just amass dances and figures and with short and limited references to sources. I admit my bias, I am interested in more than just the mechanics of the dance. We both like to read and see the heart and context of a tradition, and YES!, that can be done in print, and even better if it also has pictures to go along with the weave… For us, this is about ‘quality’ rather than ‘quantity’, heart and community rather than flash and competition…
For the inexperienced the notations might be confusing, but I love it. He tries to further represent his sources by using their descriptions of the dances, their terminology. At the back of the book is a glossary of terms and movements with illustrations, to help…
There were, as I know it, four cassettes of dance music and this, the fifth recording, a CD.
Included with the CD is a generous and informed booklet, one of the largests I’ve ever found tightly fitted into the case ~
“The Music” ~ 9 pages
“The Musicians” ~ 6 pages
“The Dances” ~ 7 pages
Lazyhound, I haven’t forgotten my promise. Sometimes life throws a wally and you’re forced to work around it… 😉
“Set Dances Of Ireland: Music For Listening And Dancing” ~ Dances & Musicians
1 – 6: The Polka Set (West Kerry)
Brendan Begley ~ melodeon
7 – 12: The Caledonian Set (Clare)
Tommy McCarthy ~ concertina
Eamon McGivney ~ fiddle
Michael Tubridy ~ flute
13 – 18: The Square Jig (Kerry – Black Valley, Kenmare)
Johnny O’Leary ~ melodeon
19 – 24: The Polka Set (South Kerry)
Denis McMahon ~ fiddle
Timmy O’Connor ~ melodeon
Paudy Scully ~ flute
I adore this disk
Not just for the music - the booklet is really superb.
There are some dangling links in the track list -
“Saint Anne’s” would be linked to the tune if you change the spelling. Dunphy’s is not linked - perhaps “Dunphy’s” was typed in without the “hornpipe”? The Collier’s is also in the DB, under this name, and I can’t see why it’s not linked, unless you needed to spell out “reel” for it to work.
It is probably the apostrophe. Thanks sixholes, I’ll correct those. I usually try to follow up links when I first submit something, but sometimes I don’t get to, and sometimes I forget to return… I’m returning now… 😉
“Set Dances Of Ireland: Music For Listening And Dancing” ~ solo!!!
I like this recording, great musicians, but well worth chasing up if only for the following ‘solo’ unadulterated tracks, Brendan naked, and Johnny too ~ brilliant!!! I love it…
1 – 6: The Polka Set (West Kerry)
Brendan Begley ~ melodeon
13 – 18: The Square Jig (Kerry – Black Valley, Kenmare)
Johnny O’Leary ~ melodeon
For anyone who happens across this recording, the CD I have is a full half step sharp, sped up by that much. I can only guess that was done to reduce the total size so it would fit on a standard CD… 😏
“Set Dances Of Ireland”
Set Dances of Ireland, Volume I
https://thesession.org/recordings/2923
Set Dances Of Ireland, Volume II
https://thesession.org/recordings/2924
Set Dances Of Ireland, Volume III
https://thesession.org/recordings/2925
IV ~ Sadly, try as I may, over a long period of time, I’ve never managed to chase up a copy of Volume IV. I haven’t stopped tyring, but so far no luck… 🙁
I can’t remember for sure, but I think the recordings were possibly as much as a full step sharp, meaning that tunes in G are sounding in A and those in D as E… Full and half step sharp, sped up, recordings are sadly not uncommon and I believe have aggravated the rise in tempo of this music. I personally don’t consider it a healthy influence on either the music or the dance…