Two comments
“English Melodeon Players”
Plant Life Records Limited, 1986
PLR073
http://folkmonster.co.uk/
“English Melodeon Players”
http://folkmonster.co.uk/pages/compilations.html
http://folkmonster.co.uk/albums/compilations/english_melodeon_players_front.jpg
http://folkmonster.co.uk/albums/compilations/english_melodeon_players_back.jpg
Side One
1. A Small Fee / Crying Jenny and Laughing Joan - Martin Ellison
2. Young Collins / The Princess Royal - Roger Watson
3. The Rose Tree - Tony Hall, Dave Roberts & Roger Watson
4. The Old Favourite - Tony Hall
5. Johnny Mickey Barry’s / The Freedom Of Ireland - Edward II & The Red Hot Polkas
6. 100 Pipers - Tony Hall
Side Two
1. The Sussex Mazurka / The Essex Bazurka - Dave Roberts
2. The Flowers of Edinburgh - Tony Hall
3. Small Wonder (for Kitty) / Fred’s Tune - Martin Ellison
4. Moll in the Wood / A Trip to Knaresboro’ - Dave Roberts
5. Another Fine Mess - Edward II & The Red Hot Polkas
6. The Children’s Crusade - Roger Watson
Sadly this is one I don’t have and haven’t heard, but having added two tunes from it to the tunes database here, “The Sussex Mazurka” & “The Essex Bazurka”, I thought I’d best add this recording as well. Hopefully someone who is more familiar with it will give comment.
Plenty of good playing on this, but as a sampler of its era (1980s) it could have been better.
Wholly dispensible, IMO, are the slipshod song The Children’s Crusade (not Watson’s - no criticism of his performance here…) and the irritating, spaffy track by Edward II & The Red Hot Polkas. Why couldn’t the album have had a track by The Oyster Band instead of the latter? They were - still are, AFAIK - the real deal when it came to punk folk, attitude, capability both as a ceilidh band and a gig / pub-rock-type band, really rousing songs, and indeed using melodeon in all this.
Another missed chance was that of including one or more recordings of Tony Hall playing medium- to slow-paced tunes and creating in these music that would make many a listener say, “I never realised a melodeon could *do* this..!” This music is rich, spellbinding and beautiful, and Hall’s considerable technique is always at its service: never the other way round. There are a few Hall tracks on this album, but they are all fairly straightforward runs-through of ordinary ceilidh tunes: nothing wrong with them, but they’re not his music at its most poetic and distinctive.