You’re Welcome Home Royal Charlie barndance

Also known as Royal Charlie’s March, Welcome Home Royal Charlie, You’re Welcome Home, Royal Charlie.

There is 1 recording of a tune by this name.

You're Welcome Home Royal Charlie has been added to 12 tunebooks.

Download ABC

Three settings

X: 1
T: You're Welcome Home Royal Charlie
R: barndance
M: 4/4
L: 1/8
K: Ador
|: AGED |E2 A2 ABcd | e2 A2 edBA | G2 GF GABc | d2 G2 B2 AG |
E2 A2 ABcd | e2 A2 B2 A2 | G2 g2 edBG | A4 :|
A2 g2 |e2 a2 a2 ga | b3 a g2 e2 | d2 ef g2 a2 | g2 e2 d2 ^cd |
e2 a2 a/b/a ga | b3 a g2 ed | c2 e2 dc B2 | A4 A2 ^cd |
e2 a2 a/b/a ga | b3 a g2 e2 | d2 ef g2 a2 | g2 e2 d2 ^cd |
e2 a2 a/b/a ga | b3 a gfed | c2 e2 dc B2 | A4 ||
|: GABG |c3 B c2 G2 | cdef ga/g/ dc | B2 G2 d2 G2 | BcdB G2 AB |
c2 cB c2 G2 | cdef g3 e | a2 e2 dcBc | A4 :|
X: 2
T: You're Welcome Home Royal Charlie
R: barndance
M: 4/4
L: 1/8
K: Ador
|: AGED |E2 A2 ABcd | e2 A2 B2 A2 | GAGF GABc | d2 G2 dBAG |
E2 A2 ABcd | e2 f2 g2 a2 | g2 e2 d2 B2 |[1 A4 :|[2 A4 A2 ag ||
|: e2 a2 a2 ga | b3 a g2 e2 | d2 ef g2 a2 | g2 e2 d2 ^cd |
e2 a2 a2 ga | b3 a g2 ed | c2 e2 dcBc |[1 A4 A2 ^cd :|[2 A4 G2 AB ||
|: x[Gc][Gc][Gc] cB [G2c2] [G2c2] | cdef g2 dc | B2 G2 d2 G2 | BcdB GABG |
[G2^c2] cB [G2c2] G2 | cdef g2 fg | a2 e2 dcBc |[1 A4 A2 B2 :|[2 A4 |]
X: 3
T: You're Welcome Home Royal Charlie
R: barndance
M: 4/4
L: 1/8
K: Ador
|: AGED |E2 A2 ABcd | e2 A2 B2 A2 | GAGF GABc | d2 G2 BAGD |
E2 A2 ABcd | e2 f2 g2 a2 | g/a/g e2 d/e/d B2 | A4 :|
A2 ag |e2 a2 a/b/a ga | b3 a g2 e2 | d2 ef g2 a2 | g2 e2 d2 ^cd |
e2 a2 a2 ga | b3 a g2 ed | c2 e2 dcBc | A4 A2 ^cd |
e2 a2 a2 ga | b3 a g2 e2 | d2 ef g2 ag | g2 e2 d2 ^cd |
e2 a2 a2 ga | b2 ba ga/g/ ed | c2 e2 dcBc | A4 ||
G2 AB |c/d/c cB c2 G2 | cdef g2 dc | B2 G2 d2 G2 | BcdB GABG |
c2 cB c2 G2 | cdef g2 fg | a2 e/f/e dcBc | A4 A2 B2 |
c/c/c cB c2 G2 | cdef g2 dc | B2 G2 d2 G2 | B2 G2 d2 G2 |
c2 cB c2 G2 | cdef g2 fg | a2 e=f edcB | A4 |]

Twelve comments

Another unnamed march courtesy of the fiddling of Johnny Doherty

http://www.mediafire.com/file/d0t4dnwxjud/JohnDoherty.mp3

And the subject came up here recently and I was reminded this wasn’t on site yet. I’ll check and see if I’ve a name for it later… Here’s the discussion, and source for the above link to and MP3, that lead to this contribution ~

Discussion: Tune ID
# Posted on November 6th 2009 by mikeskelly
https://thesession.org/discussions/23040

“You’re Welcome Home Royal Charlie”

That didn’t take long. It was right under my nose… 8-)

“The Northern Fiddler: Music and Musicians of Donegal and Tyrone” ~

Allen Feldman: general text & music editor
&
Eamonn O’Doherty: introduction, drawings and photographs
Blackstaff Press, 1979, Belfast, Northern Ireland
ISBN: 0-85640-155-2

Page 89: "You’re Welcome Home Royal Charlie" ~ from Johnny Doherty

There are some slight differences between this transcription and the book’s. The linked to audio offers only the first two parts of this. For comparison, here’s a simplified transcription from the book of the third part, no double stops or ornaments given ~

~ |[1 A4 A2 cd :|[2 A4 G2 AB ||
xc cc cB c2 G2 | cd ef g2 dc | B2 G2 d2 G2 | Bc dB GA BG |
c2 cB c2 G2 | cd ef g2 fg | a2 e2 dc Bc |[1 A4 A2 B2 :|[2 A4 |]

There were no great differences between the first and third parts I’ve given and those in the book…

“Johnny Doherty: Bundle and Go”

track 16: "Welcome Home Royal Charlie"

X: 2
T: You’re Welcome Home Royal Charlie
M: 4/4
L: 1/8
R: march
K: Ador
|: AGED |\
E2 A2 ABcd | e2 A2 B2 A2 | GAGF GABc | d2 G2 BAGD |
E2 A2 ABcd | e2 f2 g2 a2 | g/a/g e2 d/e/d B2 | A4 :|
A2 ag |\
e2 a2 a/b/a ga | b3 a g2 e2 | d2 ef g2 a2 | g2 e2 d2 ^cd |
e2 a2 a2 ga | b3 a g2 ed | c2 e2 dcBc | A4 A2 ^cd |
e2 a2 a2 ga | b3 a g2 e2 | d2 ef g2 ag | g2 e2 d2 ^cd |
e2 a2 a2 ga | b2 ba ga/g/ ed | c2 e2 dcBc | A4 |]
G2 AB |\
c/d/c cB c2 G2 | cdef g2 dc | B2 G2 d2 G2 | BcdB GABG |
c2 cB c2 G2 | cdef g2 fg | a2 e/f/e dcBc | A4 A2 B2 |
c/c/c cB c2 G2 | cdef g2 dc | B2 G2 d2 G2 | B2 G2 d2 G2 |
c2 cB c2 G2 | cdef g2 fg | a2 e=f edcB | A4 |]

It IS Johnnie Cope - albeit, a very mangled version.

Posted by .

It doesn’t end with Johnny Cope either… ;-)

When is one person’s way with a melody not just another take but a mangling? And in making such a judgement, which is the mangled and which the mangling? Based on what criteria?

Personally I enjoy JD’s way with this, whatever its origins or relationships…

I dont see it as a mangling because there are different takes on Johnnie Cope… one of which I play without the third part… And JD’s way with this melody is very cool indeed

Thanks for this, Ceol.