Elsie Marley jig

Also known as Elsie Marlie, Elsie Marly.

There are 11 recordings of a tune by this name.

A tune by this name has been recorded together with My Laddie Sits Ower Late Up (a few times) and Peacock Follow The Hen (a few times).

Elsie Marley has been added to 1 tune set.

Elsie Marley has been added to 59 tunebooks.

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Five settings

X: 1
T: Elsie Marley
R: jig
M: 6/8
L: 1/8
K: Gmix
|:BAB ~G3|G2g gdc|BAB ~G3|A2f fcA|
BAB ~G3|gag gdB|cac BgB|A2f fcA:|
|:B2c ~d3|de^f gdc|B2c ~d3|~A3 =fcA|
B2c ~d3|de^f gdB|cac BgB|A2=f fcA:|
|:G2g gdB|gdB gdB|G2g gdB|fgf fcA|
G2g gdB|gdB gdB|cac BgB|A2f fcA:|
X: 2
T: Elsie Marley
R: jig
M: 6/8
L: 1/8
K: Gmix
|: G2g gdB | gdB gdB | G2g g^fB | =f3 fcA | G2g gdB | gdB gdB | cac BgB | A2f fcA :|
X: 3
T: Elsie Marley
R: jig
M: 6/8
L: 1/8
K: Gmix
|:G2g gdB|gdB gdB|G2g gdB|f>gf fcA|
G2g gdB|gdB gdB|cac BgB|A2f fcA:|
X: 4
T: Elsie Marley
R: jig
M: 6/8
L: 1/8
K: Dmaj
FEF D2 D |D2 d dAG |FEF D2 D |E2 =c cGE |
FEF DDD |ded dAG |GeG FdF |E2 =c cGHE :||
F2 G A2 A |ABc dAG |F2 G A2 A |EFE =cGE |
F2 G A2 A |ABc dAF |GeG FdG |E2 =c cGE :||
X: 5
T: Elsie Marley
R: jig
M: 6/8
L: 1/8
K: Amix
X: 1
T: Elsie Marley
R: jig
M: 6/8
L: 1/8
K:Amix
|:cBc ~A3|A2a aed|cBc ~A3|B2g gdB|
cBc ~A3|aba aec|dbd cac|B2g gdB:|
|:c2d ~e3|ef^g aed|c2d ~e3|~B3 =gdB|
c2d ~e3|ef^g aec|dbd cac|B2=g gdB:|
|:A2a aec|aec aec|A2a aec|gag gdB|
A2a aec|aec aec|dbd cac|B2g gdB:|

Seventeen comments

Elsie (Alice) Marley was an innkeeper’s wife in the Swan in Picktree, County Durham in the 1700’s. Apparently she was quite a character, and some stories of her life and death have been documented - fortunate that this was so otherwise the origins of this tune would have been lost, and its Northumbrian origins might have been forgotten. This jig is usually played in pubs in the Northeast as an instrumental, but it is in fact a song, which is often used in competitions since it is fast and full of leaps of 6ths etc. The words and more info about the song are available at http://www.folkinfo.org.

Byker Hill

I’ve never heard this tune but I’ve heard *of* it.

In the song Byker Hill, which I believe is a traditional English song, there’s a reference in the refrain to dancing "… to the tune of Elsie Marley".

Yeah Byker’s an area of Newcastle - I’ve never been there, but I’ve heard reports about what it’s like from other people… I’ve never been interested in visiting the place (he said tactfully!)

This was one of the first traditional tunes I learnt, before Irish music came along and hogged all my brain capacity. I got it from a High Level Ranters record. I read that Elsie Marley met her fate in 1768, falling into a disused mineshaft and drowning.

I used to play it in Dmix, probably because it sat more easily on the whistle, which I played it on at the time. I remember noticing that this tune - the first part, at least - bears a passing resemblance to the Irish tune, The Rolling Waves.

Elsie Marley

This is the two part version that is most frequently played in North-East England. However, Robert Topliffe wrote out a three part version at the start of the 19th century which is wellworth playing.

The mention of Elsie Marley in Byker Hill is rather strange as the rhythm of the two are very different. I guess its an indication of how widely known the tune was a couple of hundred years ago.

On the geographic front, Byker is just to the East of Newcastle city centre. It has the best music traditional music pub in the North East (The Cumberland Arms), an innovative power station fueled by domestic rubbish and a European Award winning housing project. Don’t knock it till you’ve been there!
Noel Jackson
Angels of the North

3-part version

I take back everything I said and apologise unreservedly! It was a slip of the tongue honest. Divvent tek a hesh on uz man.

That 3rd part goes:

|: G2g gdB | gdB gdB | G2g g^fB | =f3 fcA | G2g gdB | gdB gdB | cac BgB | A2f fcA :|

…with a roll ~ on that f natural in bar 4, or alternatively =f>gf.

Topliff setting

Topliff’s 3rd part is really old and also appears in the Vickers manuscript (1770). I made an error with that F# - Topliff had it as:

K:Gmix
|:G2g gdB|gdB gdB|G2g gdB|f>gf fcA|
G2g gdB|gdB gdB|cac BgB|A2f fcA:|

(I’ve cheekily added repeats in)

Can you not go back and edit the ABC to add this? I love third parts. I have this in my tune book but I’m scared I’m going to forget to dig up the missing piece when I sit down and learn it.

Kerri, if you go to "download abc" you get the full 3-parter.

I could, but then it’s not in my online tunebook. It’s probably past time I put together a tune collection on my hard drive. It’s easier than keeping them all in my brain…

Oh, alRIGHT then *loud tut and petulant stomp of foot* ;-)

ABCs in tunebooks

For the record, it *is* in your tunebook. Any ABCs added in the comments to a tune will be downloaded when you download your tunebook.

Origin of tune

Don’t be too sure of this tune’s Northumbrian origin. It may be a distinctively localised version of the Irish jig ‘The Humours of Trim’. brought over to England ata time when the Irish were comingto England’s industrial regions in great numbers during the nineteenth century, Of course, the tune may be English and have gonethe other way, but who knows? A tune’s status should depend on its quality, not on its provenance.

Re my last comment

Having noted just how old the tune is in Northumberland, I must reconsider my last statement. It’s not invalid though; as a point of history, when did the Irish first appear In Northumberland? Or - and here’sone of those mysteries that make researching traditional music such a fascination and a pain - did they share a common source? Hmmm

Elsie Marley, X:5

This is not a new version. I am just putting version X:1 up a tone to compare it with other versions for pipes.