From Night Til Morn march

Also known as From Night ’Til Morn, Pauvre Madeleine.

From Night Til Morn has been added to 21 tunebooks.

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One setting

1
X: 1
T: From Night Til Morn
R: march
M: 4/4
L: 1/8
K: Gmaj
|:dc|B3 B B2 G2|AGAB G2 AB|cBAG GABc|d2 ec B2 A2|
B3 B B2 G2|AGAB G2 AB|cBAG GABG|A4 G2:|
|:z2|GABc d2 d2|d2 e2 d4|e2 d2 g2 B2|d2 ec B2 A2|
B3 B B2 G2|AGAB G2 AB|cBAG GABc|d2 ec B2 A2|
B3 B B2 G2|AGAB G2 AB|cBAG GABG|A4 G2:|

Three comments

From Night Til Morn

In J. Treat’s MS (1779), Welch’s MS (1800, Sussex, England), Carr’s Elegant Extracts (1796) and in Andrew’s Fife Tutor (1808).

I’ve transcribed it as a reel, but it’s actually a march.

Observe that the first part is eight bars (repeated), but that the second part is twelve bars (repeated).

A popular tune at the Golden Guinea pub session in Redcliffe, Bristol (UK).

It’s also a favourite of Alan Whitbread’s, a concertina player from Alcester who frequents a session at the Fleece Inn, Bretforton. He plays it very steadily. Somehow I do not envisage it as a March. I’m inclined to want to step dance to it. Double step, (1,2, 3 hop). I think Alan leaves out the middle 4 bars of the ‘B’ music making it a normal 32 bar tune.
It goes very well as the following tune to Enrico. Has the same feel to it.

hetty: “Somehow I do not envisage it as a march.”

It was a popular military march in the 1800s, ender the name “Pauvre Madeleine”

I too have heard it played missing out the middle four bars of the “B” part, but I think doing this detracts from the character of the tune.