Hmmmm….taking my lead from Jeremy’s invitation to "talk about how much [I]…dislike this reel,"—I have to add this to Atholl Highlanders as the only other tune I never want to play. I don’t like how cut off each part is from the next, like parts of a bicycle, toilet, and cuisinart bolted to a canoe. Ugh. But that’s just my vapid little opinion…. 🙂
LOL — I don’t mind this one so much…it’s French Canadian, isn’t it? Named after the Dionne Quintuplets? I know how much you like the Breton music, Will, maybe that’s why you don’t like this one so much. *grin* I loved the Celtic Fiddle Festival playing it along with Mouth of the Tobique.
Now I know which tune to play incessantly at the Montana session 🙂
Mark, "Montana" is the US state south of us. This summer’s mega session will be in my home town, here in *Manitoba.* Make sure you get the destination right when you buy those plane tickets…wouldn’t want you showing up all ready to play Dionne and realize you’re in the wrong country….
The quints, eh? I was thinking maybe this musical collage (I’m trying to be polite) was some misguided ode to Celine….
LOL — talk about adding insult to injury… Well, Will, considering the life the poor quints led, perhaps that explains your aversion to the tune, yes? 🙂 http://schwinger.harvard.edu/~terning/bios/Dionne.html
P.S. Mark, you don’t believe him, do you? Heh.
Wow, i had no idea. This is just like that Simpsons episode with Apu’s octuplets!
Oh dear, i can’t quite see Apu abusing his kids…even The Simpsons has some depths to which they will not go! 🙂 Of course, *now* it occurs to me that perhaps someone named the tune the Dionne because it has five parts…?
No I don’t believe him at all Zina! Actually, if I ended up in Manitoba I’d be okay ‘cause I have relatives there apparently. I could walk round trying to find them. The place can’t be that big 🙂
For your sins Will, I will play you "The Atholl Highlanders" very fast in E major on my concertina during the session… I know: I could play it in a different key each time, and perhaps accelerate gradually until by the end I have reached a speed that cannot be supported by my technique…
And how fast would that be, Dow? 🙂
Zina, they ran out of money and had to put the babies in some kind of baby zoo for people to look at, sponsored by the diaper manufacturer, i think. In the end everything is fine again.
If this tune was really inspired by quintuplets, shouldn’t it have five *identical* parts?
hmm - terrible - I know nothing of the US so I believed what you said Will - again!
Right, so I have this LOVELY picture of us all playing The Dionne/Mouth of the Tobique and switching up into jigs with Jig of Slurs and Atholl Highlanders, right AT Will in the middle of his own session… 🙂
No one but you guys will be able to figure out why I’m falling over laughing the whole time.
Glauber, these five parts may not be identical, but they *are* indistinguishable….
Wonder if shaku will ever grace us with his/her reason for liking the tune well enough to post it.
I’d forgotten about the Jig of Slurs. It’s so long since I played that I can’t even remember how it starts. I’ll have to get some practice in for Will’s session. What about "The Kesh" (just for bb’s sake), into "The Atholl Highlanders", then into "The Jig Of Slurs", and then back into the Jig of Slurs again, transposed into the aeolian mode, with F and C naturals and B flats? I should go back over all the old discussion threads to find out everyone’s favourite tunes!
The answer is: 0 beats per minute, since I haven’t learnt the Atholl Highlanders on the concertina. Also I’m a beginner and can’t play "very fast" anyway; I can but dream …
Lovely, Mark! Then we can have very fast, very badly played versions of all these tunes…! Gawd, somebody bring your mini-disc recorder, we have to have a recording of this wonderful uber-grinch set — we shall have to sit on each individual to get them to stay in the circle as we hit their favorite tune! 🙂
Looks like Zina provided me the perfect reason to learn the Dionne. I’ll work up a good second part for Atholl and Slurs as well. What a reason to cross the country to Will’s home. Spite!! I’m going to have my head examined!
Yeah I’ll try and figure out a busy counterpoint for these tunes. I was thinking of maybe superimposing the tune in a different key - that would be a nice modern touch wouldn’t it? Perhaps a 4th apart would sound good, kind of like an "Eastern" feel to it.
Who composed it?
Who composed the Dionne reel
Dionne reel - Some great banter here - do read it!
…….. but nothing since Feb 2004!
I actually like it, especially where Burke + CFF pair it with Mouth of the Tobique
This is recorded on Tickle Harbour’s "The Brule Boys in Paris" (1991) a cd now out of print, and the group (from Newfoundland) is no longer together afaik.
Also on Button & Bows
It’s beautifully played on Buttons & Bows. It does seem like a put together reel- clichés strung together. But it works for me- especially when played by Jackie Daley and Manus McGuire. great lift to it and terrific energy.
We managed to snag a copy of "Brule Boys" about a year ago at one of those big record stores in Toronto.
As for the "Dionne Reel", it’s a super-common tune in Canada. Pascal Gemme provides a nice recording and talks a little bit about its "composition" here: http://tradquebec.over-blog.com/categorie-1078429.html
Note that ‘Les Cinq Jumelles’ sisters Dionne of Callender, Ontario also inspired a song of the same name;
Great reel, surely!
It may not have such a sense of oneness as many reels but I think it’s quite addictive nonetheless, and I love how the differences between the sections can give the impression that you’ve medleyed into another tune - but haven’t! The brief change to G major at the C section is tasty in that regard, and I find the phrase that answers it really does lead on perfectly from it. I think it’s a great example of the French Canadian sound!
Absolute love this reel !
Does anyone have a known composer for this? It can’t be THAT old because some of the quints are still alive!