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Con Cassidy’s jig

There are 14 recordings of this tune.

This tune has been recorded together with

Con Cassidy’s has been added to 13 tune sets.

Con Cassidy's has been added to 112 tunebooks.

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Five settings

1
X: 1
T: Con Cassidy's
R: jig
M: 6/8
L: 1/8
K: Gmaj
BAB cBc|dgg d2g|fed cAF|Ggg d2c|
BAB cBc|dgg d2g|fed cAF|1 ~G3 G2A:|2 ~G3 G2d||
|:gGG fGG|efg d2c|BA^G Aag|fe^d efg|
azf gfe|fed fga|gfe def|1 gGG G2d:|2 gGG G2A||
2
X: 2
T: Con Cassidy's
R: jig
M: 6/8
L: 1/8
K: Gmaj
B^AB cBc|dBg d2 g|fed cAF|GDg d2 c|
B^AB cBc|dBg d2 g|fed cAF|G3:|
gGG fGG|efg d2 c|BA^G Aag|fe^d efg|
a2 f gfe|fed ff/g/a|gfe def|gGG:|
3
X: 3
T: Con Cassidy's
R: jig
M: 6/8
L: 1/8
K: Gmaj
B^AB cBc|dBg d2 g|fed cAF|GDg d2 c|
B^AB cBc|dBg d2 g|fed cAF|G3:|
gGG fGG|efg d2 c|BA^G Aa=g|fe^d efg|
a2 f gfe|fed ff/g/a|gfe def|gGG:|
4
X: 4
T: Con Cassidy's
R: jig
M: 6/8
L: 1/8
K: Dmaj
F^EF GFG|AFd A2 d|cBA GFE|FDd A2 G|
F^EF GFG|AFd A2 d|cBA GFE|D3:|
dDD cDD|Bcd A2 G|FE^D Ee=d|cB^A Bcd|
e2 c dcB|cBA cde|dcB ABc|dDD:|
5
X: 5
T: Con Cassidy's
R: jig
M: 6/8
L: 1/8
K: Gmaj
~B3 cBc|dgg d2g|fed cAF|G2g d2c|
~B3 cBc|dgg d2g|fed cAF|1 ~G3 G2A:|2 ~G3 G B/c/d||
|:~g3 ~f3|~e3 ~d2c|BAG B/c/dg|fed efg|
aAA gAA|fAA e2a|gfe def|1 gdB G2d:|2 gdB G2A||

Fourteen comments

Er…

That would be Donegal, no?

Or D

Er…

that would be Gonedal. 😉)

Con cassidy’s

Pardon me, I’m not great at reading music - what’s that squiggly thing between the 8th notes - in the 5th measure of the B part?

It’s a quaver rest.

It’s a breath…of the late Frankie.

Truly a most fitting tribute to have a breath of Frankie immortalized here.

Posted by .

"Con Cassidy’s Jig" - who I originally learned it from…

No doubt it has gone through some changes over time. I also play it in D…


X: 2
T: Con Cassidy’s
M: 6/8
L: 1/8
R: jig
K: Gmaj
|: d2 c |\
B^AB cBc | dBg d2 g | fed cAF | GDg d2 c |
B^AB cBc | dBg d2 g |fed cAF| G3 :|
|: GB/c/d |\
gGG fGG | efg d2 c | BA^G Aag | fe^d efg |
a2 f gfe | fed ff/g/a | gfe def | 1 gGG :|

Oops! ~

I missed the change back - B-part, 3rd measure - & removing that ‘1’…

X: 2
T: Con Cassidy’s
M: 6/8
L: 1/8
R: jig
K: Gmaj
|: d2 c |\
B^AB cBc | dBg d2 g | fed cAF | GDg d2 c |
B^AB cBc | dBg d2 g |fed cAF| G3 :|
|: GB/c/d |\
gGG fGG | efg d2 c | BA^G Aa=g | fe^d efg |
a2 f gfe | fed ff/g/a | gfe def | gGG :|

"Con Cassidy’s Jig" - taking it lower, down to D

X: 3
T: Con Cassidy’s
M: 6/8
L: 1/8
R: jig
K: DMaj
|: A2 G |\
F^EF GFG | AFd A2 d | cBA GFE | FDd A2 G |
F^EF GFG | AFd A2 d | cBA GFE | D3 :|
|: DF/G/A |\
dDD cDD | Bcd A2 G | FE^D Ee=d | cB^A Bcd |
e2 c dcB | cBA cde | dcB ABc | dDD :|

"Damned If I Know" / "None Of Your Damned Business"

Submitted on November 5th 2005 by ceolachan. - C: ceolachan
https://thesession.org/tunes/5156

Compare the D Major A-parts, "Con Cassidy’s Jig" clearly an influence…

Con Cassidy’s, X:5

From Turlach Boylan’s nice album "The Tidy Cottage". This came up in a session recently and several of us knew it but we couldn’t remember what it was called.

Re: Con Cassidy’s

Fiddlers: how do you manage those string crossings from E string to D string at the start of the B-part? Very difficult to play them cleanly at speed without sounding the A string. Which part of the bow do you use?