Joe Bane’s barndance

Played in F by Cormac Begley on Bb/F Lachenal baritone concertina on his self-titled CD (and, obviously, not the Joe Bane’s reel at https://thesession.org/tunes/2353 to which it currently links from the CD notes, and not the same Joe Bane’s Schottische as at https://thesession.org/tunes/13984, or the Joe Bann’s barndance, at https://thesession.org/tunes/6654).
Transposed here from F to D.

It’s given a 4/4 time sig. but has irregular bar lengths (three of 3/4, two of 3.5/4 and one of 2/4). Can this be right?

er, no - sorry bout that - hopefully now corrected

Isn’t this Joe Bane’s (a.k.a. Bill O’Malley’s) Schottische?

Yes, https://thesession.org/tunes/16307#setting31289

Cheers, I didn’t know it by the other names and needed the sheet music for it and couldn’t find it. I don’t think I can move this setting to the right place? - I just added Bill O’Malley’s & Joe Bane’s to the ‘Also known as’.

With the greatest respect, I think the title has caused a bit of confusion here. I would suggest that settings X:2 and X:3 here belong more with Dornoch Links.
See https://thesession.org/tunes/1649
(“Also known as Andrew McNamara’s, Bill Malley’s Schottische, Bill Malley’s Scottische, Billy Malley’s Schottishe, Dornoch Links March, Joe Bane’s, Joe Bane’s March, Joe Bane’s Schottische, Joe Bane’s Scotische, Joe Banes Scotische, Joe Banis, Joe Bane’s Scotische”.)

“Joe Bane’s” was the title for the Dornoch Links tune used in the recording “Maiden Voyage”, which was the source of the tune used for the first setting of Dornoch Links shown above.

The fact that Cormac Begley useed the same title, Joe Bane’s, for the different tune he played on his CD unforrunately means that all the other tunes with the same title show up here in the ‘recordings’ list, but that of course that doesn’t mean setting X:1 here belongs with all the others there.