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Coridinio hornpipe

There are 4 recordings of this tune.

Coridinio has been added to 1 tune set.

Coridinio has been added to 46 tunebooks.

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Four settings

1
X: 1
T: Coridinio
R: hornpipe
M: 4/4
L: 1/8
K: Gmaj
DGBA GFAG|FE F2 DFAc|AF d2 DFAc|AF d2 B2 B2|
DGBA GFAG|F=F E2 C EGc|BAdB GDcA|FD G2 GG G2:|
_B_BAA GG=F=F|_E_EDDD2 DF|ADFA DDF A|DFA_B_B2 GG|
_B_BAA GG=F=F|_E_EDCC2 CD|_E=FGA _BGD_B|AFDA GG G2:|
Bc d2 BcdB|cd e2 cdec|de f2 defd|ef g2 b2 b2|
Bc d2 BcdB|cd e2 cdec|de f2 fgfd|efgd Bd G2:|
2
X: 2
T: Coridinio
R: hornpipe
M: 4/4
L: 1/8
K: Gmaj
|:DGB|AGFG AGFE|F2DF AcAF|d2DF AcAF|d2B3DGB|
AGFG AGF=F|E2CE GcBA|dBGB cAFD|G2GF G:|
|:_B_BA|AGG=F =F_E_ED|D3F ADFA|D/D/D DF ADFA|_B2G3_B_BA|
AGG=F =F_E_ED|C3D _E=FGA|_BGD_B AFDF|G2GF G:|
|:Bcc|d2Bc dBcd|e2cd ecde|f2de fdef|g2bb2Bcc|
d2Bc dBcd|e2cd ecde|f2fg fdef|gdBd G:|
# Added by Heiko .
3
X: 3
T: Coridinio
R: hornpipe
M: 4/4
L: 1/8
K: Dmaj
|:Adf|edcd edcB|c2Ac egec|a2Ac egec|a2f3Adf|
edcd edc=c|B2GB dgfe|afdf gecA|d2dc d:|
|:=f=fe|edd=c =c_B_BA|A3c eAce|A2 Ac eAce|=f2d3=f=fe|
edd=c =c_B_BA|G3A _B=cde|=fdA=f ecAc|d2dc d:|
|:fg^g|a2fg afga|b2ga bgab|c'2ab c'abc'|d'2f'f'2fg^g|
a2fg afga|b2ga bgab|c'2c'd' c'abc'|d'afa d:|
4
X: 4
T: Coridinio
R: hornpipe
M: 4/4
L: 1/8
K: Amaj
|:EAc|BAGA BAGF|G2EG BdBG|e2EG BdBG|e2c3EAc|
BAGA BAG=G|F2DF AdcB|ecAc dBGE|A2AG A:|
|:=c=cB|BAA=G =G=F=FE|E3G BEGB|E2 EG BEGB|=c2A3=c=cB|
BAA=G =G=F=FE|D3E =F=GAB|=cAE=c BGEG|A2AG A:|
|:Bcd|e2cd ecde|f2de fdef|g2ef gefg|a2c'c'2Bcd|
e2cd ecde|f2de fdef|g2ga gefg|aece A:|

Six comments

Coridinio

Trial and error with ABC notation to get a (as good as I can anyway) transcription of Sharon Shannon’s Coridinio taken from “A woman’s Heart” album. Any suggestions for improvement would be greatly appreciated. The tune alternates to Gminor for the second part.

Thank you for this tune - I’ve been meaning to transcribe it for ages. I have, however, moved the barlines one beat further in - ie taking the first two quavers as an upbeat - it just seems to flow better for me. I also made a few changes to the middle section but your version saved me loads of time!

This is a great Tune. I corrected a few mistakes in Timing for its an upbeat of 3 quavers.Here is my version of the ABC:
|:DGB|AGFG AGFE|F2DF AcAF|d2DF AcAF|d2B3DGB|
AGFG AGF=F|E2CE GcBA|dBGB cAFD|G2GF G:|
|:_B_BA|AGG=F =F_E_ED|D3F ADFA|D/2D/2D DF ADFA|_B2G3_B_BA|
AGG=F =F_E_ED|C3D _E=FGA|_BGD_B AFDF|G2GF G:|
|:Bc-c|d2Bc dBcd|e2cd ecde|f2de fdef|g2bb2Bc-c|
d2Bc dBcd|e2cd ecde|f2fg fdef|gdBd G:|

Posted by .

Coridinio, X:3

Setting for mouth whistling.

This setting is in the best key I can whistle the tune with my mouth without having to do any change of octave. If I whistle it in G as played by Sharon Shannon I have to whistle the first two parts one octave higher.

I’m happy to discover that this key is one of the very common Irish session keys and I think it is pretty playable by a few Irish session instruments. The setting is in the same octave as the whistling, that goes pretty high. But I believe fiddles, banjos, mandolins and accordions can play everything one octave lower. It goes down to the low G.

Regarding the melody line, it is the same as setting X:2 but removing the semiquavers. I’ve seen people with a whistling technique (warbling) that could be used instead of the machine-gun that Sharon Shannon plays, but that is not my case. I wish I could.

Re: Coridinio

I am very interested in the origin of this tune, I think it belongs to the Portuguese Traditional Music.

Coridinio, X:4

Setting for Englitina.

What is Englitina? It is a mobile application created by Michael Eskin, member of thesession. I play the free version of this app quite a lot.

I like to play the same tune in different keys, but for this tune, I was surprised to see that A Major is the only key that can be played without having to do any change of octave. The key of A Major covers the whole range of notes of this instrument (yes, I consider this app an instrument on its own) that goes from D to ^c’ (in abc notation terms).