The first time I came across this tune was in 80s. It was published in a tunebook called "Haand me doon da fiddle" under the title of "Willafjord". The book was written by Shetland Fiddler Tom Anderson with one of his fiddle students, Pam Swing, an American from Chicago, and published by the Department of Continuing Education, the University of Stirling, Scotland. Don
Spootiskerry” ~ Ian Burns, Shetland fiddler
Submitted on July 25th 2002 by MichaelBolton.
Liberty / Ti-Jean ~ reel - - - Dow’s pairing for this one
Submitted on December 29th 2003 by lazyhound.
“The Kilfenora” ~ connecting the dots
Submitted on August 24th 2001 by Kerri Brown.
These two are obviously related…
Here is the version I used to play at school:
B2|A2FA- ADFA|B2GB- BDGB|A2FA- ADFA|EFGA GFED|
A2FA- ADFA|B2GB- BDGB|ABcd efge|f2d2 d2:|
|:e2|f2df- ffdf|geaf gfeg|f2df- fAdf|e2ce- eAce|
f2df- ffdf|geaf gfed|ABcd efge|f2d2 d2:|
I’ll have to listen more closely to my Lindsay Porteous recording of this… I like both the transcripts here, but your’s is more familiar with me, but maybe it’s just that similarity to "The Kilfenora"… I think I might have it on another recording. If I do and it’s here and I find it I’ll add it to ‘Recordings’…
You played it at school? Was that last year?
Can you still remember "school"?
Aside from your notation, which was more familiar to me, for example | A2 FA- ADFA | rather than | A2 F A2 D FA | ~ the B-part is the only real difference, and then only in the 4th measures:
| e2 ce Aece | & | e2 ce- eAce |
and the 6th measures:
| gdaf gfed | & | geaf gfed |
I originally learned this one from Pam Swing… I’ll have to see if I’ve any notes for it or can call it up from deep down in the memory banks, though the latter will undoubtedly be ‘polluted’… 😉
"School" like "Student" is a state of mind… I much prefer the latter… 😛
Damn Dow, my chair just slipped and I gave myself an espresso shower… Have you got one of those dolls there you’re sticking pins into?
“Willafjord” ~ Pam Swing’s transcription
Hey, this is pretty amazing, Pam Swing’s notation is note for note the same as yours Mark, with just one exception, in the B-part, that 6th measure again and just one note:
| geaf gfec |
Strange but true……………..
3 years ago I had a student from Co. Clare at a music school here in Aberdeen. She was here to study whistle, but her main instrument was the concertina. I took her and her friends down to the Tuesday night session, and she started playing “The Kilfenora” reel. [ see link above ]. About 3 bars into it, everyone else started playing “Willafjord”.
The following year I was in a session at the Willie Clancy week. Two well-known box players, 2 well-known fiddle players, RonP , myself and a few others. One of the fiddlers knew a fair number of Shetland tunes, and started “Willafjord”. The other fiddler, and one of the box-players went into “The Kilfenora Reel”.
So, “ceolachan” – do you know Lindsay Porteous ?
“Willafjord” / “Willa Fjord” ~ sans syncopation
A2 FA DAFA | B2 GB DBGB | A2 FA D2 FA | EFGA G2 (3FED |
ADFA DAFA | BDGB D2 BG | A2 (3Bcd ef (3gfe | fd (3edc d2 :|
|: de |
f2 df Afdf | geaf gfeg | fAdf Afdf | (3eee ce Aece |
(3fff df Af (3fff | geaf gfec | ABcd e2 (3gfe | f2 e2 d2- :|
No Kenny, I never had the pleasure, but I have a recording of him I very much enjoy… I like your tale. It has happened to me a few times all on my lonesome… 😉
“Willafjord” ~ Nigel Gatherer’s site ~ with tab and chords and notes:
"The great Shetland collector Tom Anderson said that Willafjord was brought back from the Greenland whaling expeditions by Shetland fiddlers and as long since become a standard of the genre. ~ ~ ~ He also said that Willafjord is played in Newfoundland and Cape Breton using the same bowing strokes as in Shetland."
& from that site here’s a loose translation of Tom Anderson’s words given above in dialect:
"In other words, think of walking along with one foot in the ditch, bopping along, and you’ll get the rhythm!"
Here it has a second violin part. It is my understanding that this is something that wasn’t unknown in the Shetlands. Pam Swing and Tom Anderson used to play parts on many of his compositions and with other Shetland standards. I know in Eire that playing in octaves was not unknown:
Note: The link to the Sibelius score, which you can print out and hear the midi for, does not in any way constitute a recommendation of the second part… 😉
I heard this one at Majors Creek festival - in the session bar people referred to it as Villafjord. It was quite a while before Davydd from Brisbane pointed me to this tune 🙂
Shetland fiddler Brian Gear plays this without syncopation, thus:
(dB)|vA2u(FA) vDuAvFuA|B2(GB) DBGB|A2(FA) DAFA|EFGA GFED|
A2(FA) DAFA|B2(GB) DBGB|ABcd efge|f2d2 d2:|
(de)|f2(df) Afdf|geaf gfeg|f2(df) Afdf|e2(ce) Aece|
f2(df) Afdf|geaf gfec|ABcd efge|f2d2 d2:|
In the late 70’s or early 80’s a Faroese band called (something like) Spaelmenninir i Hoydolum toured New England, and played several afternoon concerts paired with evening contra-dances, using local callers. At one of these evening contras (my memory says it was at the YWCA in Central Sq., Cambridge), they pulled out this tune, whose name I have misremembered all these years as "Wullafjord". The dancers went nuts, as the tune was completely unfamiliar to most of us, but it was so perfectly contra-ish.
Somewhere around the same time, somebody I trusted (perhaps it was Pam Swing) assured me that the unsyncopated tune was the older version, and that the syncopation was a recent innovation.
Is the Wind that Shakes the Barley the same that blows over Willafjord?
One step away from the Bayou
the syncopation in this version submitted by Redbird, as opposed to the ‘school’ version of Dr.Dow, for instance, makes it comparable to The Happy One Step https://thesession.org/tunes/952 popularised by (both a TV ad and) Sharon Shannon..
of course the respective melodies of these tunes are different, Willafjord being heptatonic to begin with.
Goes well after St.Anne’s Reel
Willafjord and St.Anne’s go together quite well, especially if you play St.Anne’s first with a bit of the Willafjord swing on it.
Having lived in Shetland for a few years I heard this tune many times. As mentioned above, it is included in Tom Anderson’s excellent tune book "Hand me doon da fiddle" and as such, as far as I am concerned the (original?) tune is recorded and set.
However, I heard this version on the Isle of Man (thanks MM) and couldn’t resist recording it and had to set it to ABC. I heard it played on a B/C melodeon and I suppose that is why there are some nice chromatic runs thrown in (sorry G/D box players, whistle players). I think it might work nicely on the fiddle.
Actually, not a chromatic run, just the addition of an A#, but in these places this does give the tune a variation that fits nicely with the syncopation.