Marcha De Breixo reel

Also known as Marcha Do Bereixo.

There is 1 recording of this tune.

Marcha De Breixo has been added to 16 tunebooks.

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Four settings

1
X: 1
T: Marcha De Breixo
R: reel
M: 4/4
L: 1/8
K: Ddor
z2 B2 d2 d2|c2 e2 e2 f2|g2 d2dc BA|Bc d2d4|
z2 B2 d2 d2|c2 e2 e2 f2|g2 d2dc BA|Bc d2dBdB|
G8|GB A2 A3 B|dc cB BA ^FG|A4 A3 B|
dc cB BA ^FG|AB cB dc AB|G8|GB A2 A3 B|
dc cB BA ^FG|A4 A3 B|dc cB BA ^FG|AB cB dc AB|
G8|
2
X: 2
T: Marcha De Breixo
R: reel
M: 4/4
L: 1/8
K: Ddor
z2 z B|dddc|ee =fg|d>c B/A/B/c/|d4-|d3 B|
dddc|ee =fg|d>c B/A/B/c/|d>B G2|G3 B||
A2 A2-|A3 A/B/|d/c/ c/B/ B/A/F/G/|A2 A2|A3 B|
d/c/c/B/ B/A/F/G/|1 A/B/c/B/ d/c/A/B/|G2 G2-|G3 G/B/:|2 A/B/c/B/ d/c/A/B/|G2 G2-|G3 z||
3
X: 3
T: Marcha De Breixo
R: reel
M: 4/4
L: 1/8
K: Dmaj
B2|d2d2 d2c2|e2e2 f2g2|d3c BA2B/c/|d4- d4-|
d4- d2B2|d2d2 d2c2|e2e2 f2g2|d3c BA2B/c/|
d2Bd/B/ G4-|G4- G2B2||
A4 A4|A3B dccB|BAFG A4|A4 A3B|
dccB BAFG|ABcB dcAB|G4 G3B|A4 A4|
A3B dccB|BAFG A4|A4 A3B|dccB BAFG|
ABcB dcAB|G4 G2B2||
F2|A2A2 A2G2|B2B2 c2d2|A3G FE2F/G/|A4- A4-|
A4- A2F2|A2A2 A2G2|B2B2 c2d2|A3G FE2F/G/|
A2FA/F/ D4-|D4- D2F2||
E4 E4|E3F AGGF|FECD E4|E4 E3F|
AGGF FECD|EFGF AGEF|D4 D3F|E4 E4|
E3F AGGF|FECD E4|E4 E3F|AGGF FECD|
EFGF AGEF|D4 D2F2||
# Added by bdh .
4
X: 4
T: Marcha De Breixo
R: reel
M: 4/4
L: 1/8
K: Ddor
B2 d2 d2 d2|c2 e2 e2 f2|g2 d2dcBA|Bc d2d4|
B2 d2 d2 d2|c2 e2 e2 f2|g2 d2dcBA|Bc d2 Bd/B/ (G2|G8)||
GB A2 A3 B|dccB BA^FG|A4 A3 B|dc cBBA ^FG|
ABcB dc AB|G8|GB A2 A3 B|dc cBBA ^FG|
A4 A3 B|dccB BA^FG|ABcB dcAB|G8||
# Added by JACKB .

Six comments

Marcha de Breixo

A beautiful march from Galicia, played for endless processions marching around the church. From the Playing of Liam O’Flynn.
Does anybody has the second tune: Marcha de Lousame?

Marcha de Breixo

This of course not a reel, but a very slow march 1/8=160

F sharp

Some people plays the first F sharp. You can heard it in the first CD of Xosé Manuel Budiño “Paralaia”.

I think I screwed up a bit the rythm in my first posting, so this a better version, it follows Liam O’Flynn’s pipe version without some of the ornamentation

z2 z B |dddc |ee =fg| d>c B/A/B/c/| d4- | d3 B |
dddc |ee =fg| d>c B/A/B/c/| d>B G2|G3 B||
|A2 A2-|A3 A/B/| d/c/ c/B/ B/A/F/G/|A2 A2|A3 B |
d/c/c/B/ B/A/F/G/|1 A/B/c/B/ d/c/A/B/|G2 G2-|G3 G/B/:|2 A/B/c/B/ d/c/A/B/|G2 G2-|G3 z|]

Here’s my transcription based on Susana Seivane’s *Os Soños Que Volven*. I’ve transcribed it in Gmaj, so you’ll need an F whistle to play along with the recording (she uses a Bb gaita).

K: Gmaj
B2 |: d2d2 d2c2 | e2e2 f2g2 | d3c BA2B/c/ | d4- d4- |
d4- d2B2 | d2d2 d2c2 | e2e2 f2g2 | d3c BA2B/c/ |
d2Bd/B/ G4- | G4- G2B2 ||
|: A4 A4 | A3B dccB | BAFG A4 | A4 A3B |
dccB BAFG | ABcB dcAB | G4 G3B | A4 A4 |
A3B dccB | BAFG A4 | A4 A3B | dccB BAFG |
ABcB dcAB | G4 G2B2 ||

For those using a Gaita or border pipe, here’s the setting in Dmaj fingering:
K: Dmaj
F2 |: A2A2 A2G2 | B2B2 c2d2 | A3G FE2F/G/ | A4- A4- |
A4- A2F2 | A2A2 A2G2 | B2B2 c2d2 | A3G FE2F/G/ |
A2FA/F/ D4- | D4- D2F2 ||
|: E4 E4 | E3F AGGF | FECD E4 | E4 E3F |
AGGF FECD | EFGF AGEF | D4 D3F | E4 E4 |
E3F AGGF | FECD E4 | E4 E3F | AGGF FECD |
EFGF AGEF | D4 D2F2 ||

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