## Five settings

T: The Centenary

R: march

L: 1/8

K: Dmaj

DF|:A2 A3/2B/|AFED|f2 f3/2d/|edBd|

[1A2 A3/2B/|AF ED|E2 E3/2F/|E2 DF:|

[2A2 d3/2e/|fe dc|d2 d3/2c/|d2 Ad||

f3 a|Ad fa|g2 f2|e2 f3/2g/|

af dA|FA GF|E2 E3/2F/|E2 F3/2G/|

AD FA|dF Ad|f3/2a/ gf|ed cB|

Aa ^ga|ge ce|d2 d3/2c/|d2 DF||

T: The Centenary

R: march

L: 1/8

K: Dmaj

|:DF|A2 A>B AF ED|({e}f3) f {ef}ed BF|A2 A>B AF ED|E2 EF E2 DF|

A2 A>B AF ED|({e}f2) ff ed (3Bcd|~A2 d>e ({e}f)e {de}dc|d2 {e}dc d2:|

|:Fd|f/a/f/e/ fa Ad fa|(3gag (3fgf e2 fg|af dA F/G/A/F/ G/A/G/F/|E3 F {EF}E2 FG|

{c}AD FA dF Ad|fa {ga}gf ed cB|Aa ^ga {ga}ge cA|{dc}d2 dc d2:|

T: The Centenary

R: march

L: 1/8

K: Dmaj

|:DF|A2 A>B AF ED|f3 f ed BF|A2 A>B AF ED|E2 EF E2 DF|

A2 A>B AF ED|f2 ff ed B/c/d|A2 d>e fe dc|d2 dc d2:|

|:Ad|f/a/f/e/ fa Ad fa|ga/g/ fg/f/ e2 fg|af dA F/G/A/F/ G/A/G/F/|E3 F E2 FG|

AD FA dF Ad|fa gf ed cB|Aa ^ga ge cA|d2 dc d2:|

T: The Centenary

R: march

L: 1/8

K: Dmaj

DF|A2 A>B AF ED|f2-f>d ed BF|A2 A>B AF ED|E2 E>F EF/E/ DF|

A2- A>B AF ED|f2 fg/f/ ed Bd|AB/A/ de f>e dc|d2 d>c d2 DF|

A2 A>B AF ED|f2 ff ed B/c/d/B/|A2 A>B AF ED|E2- EF E2 D/E/F/G/|

A>^G A>B AF D2|f2- fg/f/ ed B/c/d|A>^G Ad fe dc|d2 d>c d2||

Ad|f>^e fa Ad fa|g2 f2 e2 f>g|af dA FA GF|E2 E>F E2 FG|

AD FA dF Ad|fa gf ed cB|Aa ^ga =ge cA|d2 d>c d2 Ad|

f/g/f/e/ fa Ad fa|ga/g/ fg/f/ e2 fg|af dA F/G/A/F/ G/A/G/F/|E2- E>F E2 FG|

AD FA d>F Ad|f>a gf ed cB|Aa ^ga =ge cA|d2 d>c d2||

T: The Centenary

R: march

L: 1/8

K: Dmaj

DF|A2 A>B|AF ED|f2 f>d|ed B/c/d/B/|

A2 A>B|AF ED|E2 E>F|E2 DF|

A2 A>B|AF ED|f2 f>d|ed B/c/d/B/|

A2 d>e|fe dc|d2 d>c|d2 Ad||

f3 a|Ad fa|g2 f2|e2 f>g|

af dA|FA GF|E2 E>F|E2 F>G|

AD FA|dA de|fa gf|ed cB|

Aa ^ga|ge ce|d2 d>c|d2||