This tunes was requested a while ago. This is a simple version. You can play around with ornamentation in this quite a bit (and people do) to come up with enless variations, so I have left it "clean".
A sad song?
I remember hearing somewhere that, far from being a happy song, this is actually about being hanged (with much the same sentiment, if predating, "The Green Green Grass of Home" - although musically a tad different). Perhaps somebody knows better?
Nope - I don’t think that’s the right tune
Not the right tune
I didn’t mean any similarities between the tunes but the sentiment (which is a bit irrelevant to actually playing it I suppose).
Well, your version is actually in D major.
Nobody got hung "by the bonny, bonny banks o’ Loch Lomond". Sure you’re not thinking about "McPherson" ?
No, not by the the Loch
The guy was supposed to be in prison and whistfully thinking of home, the bonny bonny banks being both very far away and very beautiful in comparison to the prison he was in.
I have done a quick search and found this:
"The tune is one of the most famous of Scots airs and appears to be based melodically on "Kind Robin." It is thought to date from the year 1746, and the lyrics are supposed to refer to one of Bonnie Prince Charlie’s ill-fated followers who was about to be executed for rebellion. His sweetheart had come to Carlisle, perhaps to seek his release, but he told her he would be taking the ‘low road’, or grave, back to Loch Lomond, where they had spent their happiest hours."
I have found this tune, universally known as "The Bonnie Banks of Loch Lomond" in an 1870s collection; there it is called "The Braes o’ Binnorie".
Re: Loch Lomond
There are many theories about the meaning of the song, most of which are connected to the Jacobite Uprising of 1745. One interpretation based on the lyrics is that the song is sung by the lover of a captured Jacobite rebel set to be executed in London following a show trial. The heads of the executed rebels were then set upon pikes and exhibited in all of the towns between London and Edinburgh in a procession along the "high road" (the most important road), while the relatives of the rebels walked back along the "low road" (the ordinary road travelled by peasants and commoners).
Another interpretation of the "Low Road" is that it refers to the traditional underground route taken by the "fairies" or "little people" who were reputed to transport the soul of a dead Scot who died in a foreign land—in this case, England—back to his homeland to rest in peace.
Another similar interpretation also attributes it to a Jacobite Highlander captured after the 1745 rising. The Hanoverian British victors were known to play cruel games on the captured Jacobites, and would supposedly find a pair of either brothers or friends and tell them one could live and the other would be executed, and it was up to the pair to decide. Thus the interpretation here is that the song is sung by the brother or friend who chose or was chosen to die. He is therefore telling his friend that they will both go back to Scotland, but he will go on the "low road", his body being paraded along the main road controlled by the Duke of Cumberland’s forces, whereas his friend will have to head for the hilltops, taking longer to get back. Another supporting feature of this is that he states he will never meet his love again in the temporal world, on Loch Lomond. Some believe that this version is written entirely to a lover who lived near the loch.
A related interpretation holds that a professional soldier and a volunteer were captured by the English in one of the small wars between the countries in the couple of hundred years prior to 1746. Volunteers could accept parole, a release contingent on the volunteer’s refusal to rejoin the fighting, but regulars could not and so could face execution. The volunteer would take the high road that linked London and Edinburgh while the soul of the executed regular would return along the "low road" and would get back to Scotland first.
Loch Lomond, X:3
Same tune, but in G. Note that some notes are an octave higher than usual; there are no low E’s and D’s in this version. It stays within a one-octave range.