I’ll spare you all the explanation behind why this tune is posted here (see the discussion thread by the same name), except to say that the basic melody line stuck in my head over the years. Maybe someone else can post the lyrics that go with it.
Some of my favorite tunes come from songs (The Crather, the Jolly Ploughboys, the Frost is All Over, etc.), and it’s always fun to unfurl one of these on fiddle at a session and see if anyone knows the words and joins in.
The Salt would be a good "first" slip jig for beginners—easy to play, room for ornaments if so desired, and firm in its 9/8 rhythm and phrasing. It sounds just fine at a slow, almost air-like pace, and works well on whistle—a good tune to learn those c naturals on a D whistle (try it—the drop back down to A is easy, and the c nat is a pivotal note in the tune, so you’ll naturally emphasize it—a little more volume, perhaps), and good practice for cuts, taps, and/or tonguing to separate all those repeated G notes.
You don’t have to roll those c’s—just hold ‘em nice and long. Alternatively, for variety’s sake you CAN roll the BAB phrases in the last measure of each half (just do ~B3). Also, flutes and pipes could cran the low D’s in the B part to nice effect.
I’m assuming the first three eighth notes in the first three bars should be an octave up? That’s how we play it anyway.
I recall Ciaran Curran and Fintan McManus playing this tune on cittern and bouzouki and calling it Maire Rua (Red Haired Mary). I didn’t know Coneff had recorded it. I learned it from my old friend Eamon Toland who recorded it years before and I greatly prefer his singing to Coneff’s.
“Maire Rua” Quintuplets ~ all in the family
Key signature: G Major
Submitted on September 26th 2002 by banjowalsh.
"A Bumper At Parting"
Key signature: D Major
Submitted on March 23rd 2007 by nicholas.
"Johnny Loves Molly" ~ ?
Key signature: D Major
Submitted on June 25th 2007 by JohnQ.
"Come Under My Dimity"
Key signature: Gmajor ~ & D in comments
Submitted on September 29th 2007 by ceolachan.
“Peter Carberry & Padraig McGovern: Forgotten Gems”
track 3 - slip jig / jig: "Moll Roe" / "Seamus Ennis’ Lark In The Morning"
This slip-jig was used as the air for a self-composed song by Ron Kavana and he called it "Gobsheen Gombeens"
Ron Kavana and Friends - 40 Favourite Folk Songs - CD1-10 - Gobsheen Gombeens (With Anne Armstrong - harmony vocals)