Stornton Wake reel

Also known as Stourton Wake.

There are 3 recordings of this tune.

Stornton Wake has been added to 9 tunebooks.

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Two settings

X: 1
T: Stornton Wake
R: reel
M: 4/4
L: 1/8
K: Edor
|:B z2 c .d2 .B2|AGFE .F2 GF|.E2 .B2 BAGF|Eeed .e4:|
B z2 c .d2 .B2|ed cB .c2 .A2|B z2 c .d2 .B2|.e4 .B4|
B z2 c .d2 .B2|AGFE .F2 GF|.E2 .B2 BAGF|Eeed e4||
X: 2
T: Stornton Wake
R: reel
M: 4/4
L: 1/8
K: Edor
|:B3 c d2 B2|AGFE F2 D2|E2 B2 BAGF|E4 E4:|
B3 c d2 B2|ed cB c2 A2|B3 c d2 B2|e4 B4|
B3 c d2 B2|AGFE F2 D2|E2 B2 BAGF|E4 E4||

Twelve comments

The ABC of this

I am NOT RESPONSIBLE for this!!! I copied it from the ABC database of morris tunes!!!

Well, that’s a start and a confession… What’s the URL for this store of Morris tunes? Give the source credit, and I know others with an interest would appreciate the origins… 🙂

“Stornton Wake”

What a crap tune. I might have more time for it if I believed the contributor actually played it, and could maybe tell us something about it, other than just “I lifted it off a website”.

Stourton Wake

I’ve added this name to the alternatives.
Sorry Dow, I think it’s quite a nice little tune (very english and Morris though so maybe not going to be popular here).
I’ve played it in a few english sessions (I’m trying to remember what it was paired with) and the midi sounds about right - though of course you have to imagine a bit more speed and a lot more bounce.


😎 Ah me hearties, the cutlass is bared and bloodied…

Give us a transcript Chris, your take on it, and if you remember the tune you mate it up with, don’t forget to return and let us know… 😉

I’m glad you remembered to add the alternate title…

That’s even more irritating - that it takes someone to say “this tune’s crap” before people start coming out of the woodwork saying they’ve actually had hands-on experience with the tune and that they play it and like it. Why couldn’t you have said that before?

Then we would have missed your moment… 😉

I had my first exposure to this tune last night at a morris practice and it was played first on pipe & tabor, which sounded great, and then on Anglo concertina, which was good, but seemed to be missing something that I can’t quite put my finger on. I’ve not heard it at a session yet though.