John Morrison Of Assynt House reel

A six-part pipe reel composed by the late Peter MacLeod. Requested by Geoff Pollitt after “ethel” posted a version from what in my opinion was a dodgy source. Apologies if I was a bit harsh, ethel, I didn’t mean to be, so I hope there are no hard feelings. This is the “Morrison’s” reel which was recorded by Alan Stivell in the early 70s. I seem to remember the general feeling among pipers then was that he was a great harp player.
It has similarities to a reel called the "Traditional", or "The Old/Auld Pipe Reel" recorded by both "Silly Wizard" and the "Battlefield Band".

No hard feelings at all Kenny, and I’m glad you’ve posted the authentic version. I was hoping someone would, having been unable myself to find a clearer version of the tune online to try transcribing from again. I think my ear was at fault - I’m obviously not familiar enough with pipe music (ornamentation styles etc), plus the Stivell version is a bit ‘noisy’ and its hard for me to pick out the tune. Some of what i put in my ‘fuller transcription’ in my comments seems similar to what you’ve posted, and I can see that some of it definitely doesn’t! Plus i’d assumed the 3rd to 6th parts were just variations on the first 2 so i’d not put them in the posted tune.
A question occurred to me as a result of this - the Stivell version still sounds like Bmix to me - could this be because the pipes in his version are transposing instruments? (excuse my ignorance!)
My version should definitely be deleted now I think…how do i get this done?
Cheers,
eth

Highland bagpipes are pitched - approximately - in Bb. Stivell’s pipes may have been tuned a bit sharp, which could well put them up into B. The convention with pipe tunes is to transcribe them into concert pitch for convenience. If I wanted to play along with pipes, I’d use either a flute or whistle pitched in Eb.

Many thanks Kenny :)

I’ve no excuse for not learning it now.

What about that big pile of marking you should be doing?

Hello Mark

I did that over the weekend.

You are merely deflecting attention from your unfinished thesis I’ll wager :)

What thesis? :-/

ceolachan, Dow is, or should be, finishing his PhD on obscure Okinawan dialects. In order to avoid finishing he spends all his time learning loads of tunes which is probably more fun admittedly.

Ceolachan knows that - he’s just being sarcastic.

Mwa? :-D

Great to find the true version of this - I love the Stivell/ Werner version, but we need to know what they adapted it from! They tended to do their own interpretations, I think - Stivell did a great version of She Walks Through the Fair with harp acct, but the words are unintelligible!!

f—-ing brilliant, so it is!

(more on Stivell’s electric/electrifying performance at:
https://thesession.org/tunes/7135)

There was(is) a Buddy McMaster tape (may have been on vinyl also) entitled "Live at the Glencoe Village Hall" on which, on which there is a killer fiddle version of JMOAH. Well worth a listen if you can get your hands on a copy, especially if your a fiddler.

First time I heard this version I almost crashed the car. Given the right treatment, IMO, this is a mighty mighty tune.

Great choice Kenny, this is one cracking tune!

http://www.youtube.com/watch?v=e3UIkJN7r9Q

play video

Cheers,
Dick

What an epic tune!

As a whole, the tune is in the Hexatonic mode (Mixolydian with no 3rds), though all parts are Pentatonic (3rd- & 6th-less) except for the 2nd and last parts.
This makes it easy to play on D whistles, etc (no tricky cuts or rolls on C’s)

You can get away without that F# in the last part if need be, fleeting as it is……………………

Hmm, the oldest setting I can find has an E as the last note in the last but one line , last bar (44) while here it’s a D and the D is also found in a number of modern online settings but
The E sounds better to my ear personally.
This is from the 1937 john Wilson book.
http://www.gaeliccollege.edu/wp-content/uploads/2015/01/John-Morrison.pdf

It was also published in 1927 in William Ross’s book but I can’t find that at present .