18-6 Two Step (jig) on The Session

One setting

X: 1
T: 18-6 Two Step
R: jig

M: 6/8
L: 1/8
K: Gmaj
e^de age|d^cd g3|ABc B2 A|G3 z2d|
|:d^cd edc|ded B3|d^cd edB|c3 z3|
D^DE =F^FG|A2 B c2 ^c|d^cd ed=c|B3 z3|
d^cd edc|ded B3|d^cd g2 f|e3 z3|
e^de age|d^cd g3|ABc B2 A|1 G3 z2 d:|2 G3 z2 A||
K:D
|:d2 A e2 A|f3 d2 ^c|B^AB d2 B|A3 z2 A|
d2 A e2 A|f3 d2 f|e2 B ^c2 d|e3 z2 A|
d2 A e2 A|f3 d2 ^c|B2 ^d e2 f|g3 z3|
B^AB d^cB|Adf a2 g|fed A2 ^c|1 d3 z2 A:|2 d3 z2 d||
K:G
d^cd edc|ded B3|d^cd edB|c3 z3|
D^DE =F^FG|A2 B c2 ^c|d^cd ed=c|B3 z3|
d^cd edc|ded B3|ded g2 f|e3 z3|
e^de age|d^cd g3|ABc B2 A|G3 z2 =F||
K:C
E3 ^D2 E|C6|E^DE AGE|F6|
D3 ^C2 D|B,6|G,A,B, CD^D|E6|
E3 ^D2 E|C6|cBc d2 c|A6|
A^GA cBA|G^FG c3|DEF E2 D|C3 d3||

Five comments

18-6 Two Step

Composed by Peter C Davie of Stirling (with help from Bill Cook) to mark a rare Scottish triumph over the ‘Auld Enemy“ in 1995. Inspired by Jimmy Shand’s 6:20 Two Step

Use for Military or Boston Two Step at ceilidh dances

After playing through as written, return to 1st measure and finish

I noticed when I played the midi that I had missed a couple of
‘accidentals’ - I have amended the abc but the sheet music and midi need updating - anyway hopefully you can see what was intendeon’t change.

I love this but why is it called an 18 / 6 two step.?? Forgive my ignorancebut why not an 8 / 6two step. Genuine reason for asking.
BTW I seem to remember a crowd of fuballers roaring this out on top o’ the pops or some-such. Are my wits leaving me altogether. ?? Genuine reason for asking.
I have to live of my wits and my savings - both inadaquate.

18-6 Two Step jig

One setting

Five comments

18-6 Two Step