Mary Claire hornpipe

Also known as Mary Clare, Mary Clare’s.

There are 11 recordings of a tune by this name.

A tune by this name has been recorded together with Clear The Track (a few times), Forbes Leith (a few times) and The Newcastle (a few times).

Mary Claire has been added to 1 tune set.

Mary Claire has been added to 22 tunebooks.

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One setting

X: 1
T: Mary Claire
R: hornpipe
M: 4/4
L: 1/8
K: Cdor
|:dc|B2 FD B,DFD|EG,B,E G2 FE|DFBd f2 =ef|gf=eg fcAc|
B2 FD B,DFD|EG,B,E G2 FE|DFBd cBAc|B2 BA B2 :|
|:Bc|dcBd cBAc|dBFD B,DFD|EGFE DFBd|cBAG F2 Bc|
dcBd cBAc|[1dBFD B,DFD|EGFE DFBd|cAFA B2 :|

One comment

Mary Claire

This is a hornpipe (in the Cape Breton style so, to my ears at least, played like a reel) by Jerry Holland and to be found in his “Collection of Fiddle Tunes” (1988, Cranford Publications) in more or less this form. This became a favourite for me from the playing of the Cape Breton Symphony in the 1980s.

I think this is in the key of Bb major and modes are not my strong point but I have selected Cdorian as the stated key on the strength of comments by joesmith here:

From a tune-learning point of view and especially if you’ve been concentrating on tunes in, say, D, G and A up to now, I think it’s a neat tune for getting your hand shape into the key of Bb but without having to worry about playing “high” Eb with your 4th finger on the A string yet (the only ones at that level are naturalised so you can play open E – bars 3 and 4). Having said that, the book version of the tune starts with a triplet “edc” rather than the “dc” quavers I’ve notated, so you would need a 4th finger for the Eb in that case.